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Our precise, robust and lightweight 2-axis head for high-end digital cinematography is ideal for medium-sized camera packages, for example, ARRI Alexa with a large zoom lens.
Download BrochureBack-pan option
A popular choice on the L40 is the back-pan option. This enables the L40 mounted on a jib or crane to be swung through an arc, whilst automatically ensuring the camera is always facing the same plane of action from the start to the end of the arc movement. This makes combined camera and crane moves simpler, and the camera operator and crane operator can focus on their own tasks without impeding each other.
![Back-pan option](/uploads/images/uploads/2019/06/backpan2.png)
Provides Rapid Precision Movement
The L40 uses powerful 100Nm motors and cycloidal gears to allow rapid movement of even the heaviest payloads. The motors are custom designed and built in-house specifically to provide the highest power output in the shortest package. The motor/gear combination provides zero backlash and with this zero delay, resulting in immediate crisp replication of the operator’s commands.
![Provides Rapid Precision Movement](/uploads/images/uploads/2019/06/single-product-img-1-1.jpg)
Reduces costs
The L40 is specifically designed to be simple enough for either a Camera Operator or Focus Puller to set up and use, without requiring a remote head technician on set. This means that productions can benefit from headcount savings, whilst the Camera Operator and Focus Puller can easily fill the Remote Head Technician’s role.
![Reduces costs](/uploads/images/uploads/2019/06/Mo-Sys18.jpg)
Reduces shooting downtime
When moving a camera from a fluid head onto the L40, the power of the L40’s motors, the cable connect holes through the motors, and the open ‘L-shape’ design, all enable the heaviest camera rigs to be moved straight onto the L40 without needing to remove peripherals first. Also, the L40’s motors have been designed to be powerful enough to support an unbalanced camera body plus peripherals during a lens change, reducing downtime between shots.
![Reduces shooting downtime](/uploads/images/uploads/2019/06/Lambda_Baseball_Handwheels.jpg)
Simplifies operation
The L40 uses a single daisy-chain power and communications cable to connect Mo-Sys components together quickly and simply. In addition, all motors feature a hole through the centre enabling standard camera cables to be connected to the camera whilst allowing full pan, tilt, and roll movement without the use of slip rings. This design significantly reduces any possibility of cable tangles and removes the need for specialist adapter cables.
![Simplifies operation](/uploads/images/uploads/2019/06/Mo-Sys11.jpg)
Virtual production enabled
The L40 is capable of virtual production workflows due to its 3-axis motors having built-in encoders. The encoders provide pan, tilt and roll data, and this can be supplemented by adding other Mo-Sys options to provide the additional X,Y,Z axis data completing the 6-axis data set. The L40’s data set can be delivered to virtual production software, and used live for on-set pre-viz or on-set finishing, or saved for post-production compositing.
![Virtual production enabled](/uploads/images/uploads/2019/06/GenieLite.jpg)
Widest choice of camera/lens combinations + roll axis
The clever design of the L40 delivers a remote head that weighs only 18kg/40lbs yet supports a camera/lens payload of up to 40kg/88lbs, meaning that virtually any camera/lens combination can be used. This enables DPs the widest choice of tools to choose from. Additionally, a two-axis head can be effortlessly upgraded to a three-axis model with a 360˚ roll axis.
![Widest choice of camera/lens combinations + roll axis](/uploads/images/uploads/2019/09/Roll-axis-hero-1.png)
Technical Specifications
Weight | 18 kg (40 lbs) |
Payload | 40 kg (88 lbs) |
Mains | with PSU 110V-200V |
Pan/Tilt Speed | 180°/sec |
Pan/Tilt Range | ±720 |
Max system bus length (operating distance) | 100 m |
Max operating distance with optional radio | 300 m |
Max operating distance with optical fibre bridge | 20 km |
Pan/Tilt Control Options | Hand-wheels, pan-bar, joystick, micro joystick |
VR Encoder Resolution | > 2 Million counts per revolution |
Power | 15-32V (24V nom) 3A (nom) 20Apk |
Accessories
Gateway
The Mo-Sys Gateway is the brain module of the Mo-Sys system. It converts bus data to serial RS422/232 data for VR applications, utilising our own F4 protocol.
PanBar
PanBar is a fluid head, designed in collaboration with Cartoni. The mechanics and our high precision electronics make the PanBar an alternative solution for pan and tilt control.
Roll-Axis
A two-axis head can be effortlessly upgraded to a three-axis model with a 360˚ roll axis.
Handwheels
The handwheel system is fully adjustable and goes in a travel box as one unit, which makes the set up quick and easy.
The L40 has all the precision and ease-of-use that has made the Mo-Sys Lambda the standard for two axis heads for nearly a decade in a new lightweight package with increased rigidity, stronger and quieter motors. The L40 will set a new standard with a digital back-pan gyro option, making it an economical option for articulating and standard crane work. Slip-ring free, the direct tangle free cabling makes the onset workflow quick for tech-less operation. The set up and balancing is intuitive as is the digital touchscreen operator desk with all the options and controls operators have come to expect.
Michael Darby
Mo-Sys L40 Gallery
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![Shooting a scene with the Mo-Sys L40 on the Netflix hit series 13 Reasons Why.](/uploads/images/uploads/2019/08/IMG_6166.jpg)
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![Harrison Ford in scene with Mo-Sys Lambda](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-19-at-15.59.09.png)
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![Shooting scene in Yankee stadium with Mo-Sys Lambda](/uploads/images/uploads/2019/08/Screen-Shot-2014-03-04-at-18.06.30.png)
![Mo-Sys Lambda on crane shooting scene in a library for ABC action series Agent Carter.](/uploads/images/uploads/2019/08/IMG_7101.jpeg)
![Heavy camera rig on Mo-Sys Lambda remote head shooting scenes in Amazon rainforest.](/uploads/images/uploads/2019/08/P1000318.jpeg)
![Heavy 3D stereoscopic mirror rig on Lambda remote head in Amazon rainforest](/uploads/images/uploads/2019/08/P1000013-1.jpeg)
![Monkey clinging to Lambda in the Amazon rainforest](/uploads/images/uploads/2019/08/P1000783-1.jpeg)
![3D stereoscopic rig on Mo-Sys Lambda in Amazon rainforest](/uploads/images/uploads/2019/08/P1000068_0.jpeg)
![3D stereoscopic rig on Lambda remote head filming in the Amazon rainforest](/uploads/images/uploads/2019/08/P1000290.jpeg)
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![Mo-Sys Lambda filming opening shot for Be Kind Rewind in the streets of Brooklyn, directed by Michel Gondry.](/uploads/images/uploads/2019/08/DSC00010.jpeg)
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![Mo-Sys Lambda on crane used for opening shot of Michel Gondry's Be Kind Rewind.](/uploads/images/uploads/2019/08/DSC00003.jpeg)
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![Mo-Sys Lambda shooting scene in hospital with Zach Galifianakis.](/uploads/images/uploads/2019/08/birdman_website-1.png)
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![Mo-Sys Lambda filming scene for ice skating comedy Blades of Glory starring Will Ferrel and Jon Heder](/uploads/images/uploads/2019/08/BladesOfGloryw.jpg)
![Proof of concept for new Keanu Reeves movie. Modified Mo-Sys Lambda mounted to Bot'n'Dolly robot.](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-20-at-12.24.25.png)
![Zombies on the KTX train - South Korean movie "Busan Bound" was shot using Mo-Sys G50 on a GF8 crane.](/uploads/images/uploads/2019/08/temp_1458602596360.717696052w.jpeg)
![Mo-Sys G50 on GF8 crane filming scene for South Korean Zombie movie "Busan Bound".](/uploads/images/uploads/2019/08/temp_1458602718124.-2136482721w.jpeg)
![Filming green screen action scene for "Busan Bound" Zombie movie with camera pointing 90° down without going into gimbal lock.](/uploads/images/uploads/2019/08/temp_1458602666535.-398607849w_0.jpeg)
![NBC logo](/uploads/images/uploads/broadcasters/NBC-white.png)
![Shooting dramatic scene with Mo-Sys L40 on telescopic crane for NBC's Chicago P.D.](/uploads/images/uploads/2019/08/12145437_150953121923240_659623210_n.jpg)
![Commercial shot in Hollywood](/uploads/images/uploads/2019/08/182.jpg)
![Commercial shot with crane and head supplied by The Crane Guy](/uploads/images/uploads/2019/08/IMG_2200.jpeg)
![The Crane Guy supplied crane and Mo-Sys Lambda head for commercial shot in Detroit's Comerica Park.](/uploads/images/uploads/2019/08/IMG_2497.jpeg)
![The Crane Guy supplied crane and Lambda head for GMC commercial. Lambda hand wheels control.](/uploads/images/uploads/2019/08/IMG_2473.jpeg)
![Mo-Sys Lambda Motion Control system used for Credit Suisse Commercial starring Roger Federer. Behind the scenes: https://www.youtube.com/watch?v=OaSjJyCyH-0](/uploads/images/uploads/2019/08/Screen-Shot-2014-02-13-at-12.50.06.png)
![Mo-Sys Lambda on Technocrane shooting scene for Criminal Minds.](/uploads/images/uploads/2019/08/CM_bBIWVEAAOuKw.jpg-large.jpeg)
![Prepping for a crane shot on the set of Criminal Minds.](/uploads/images/uploads/2019/08/B-P0Wb0CQAAEqUd.jpg-large.jpeg)
![Filming the coast line using a drone with our DroneBar gimbal control.](/uploads/images/uploads/2019/08/dronebar.png)
![Behind the scenes with L40 on set of Fox hit series Empire](/uploads/images/uploads/2019/08/12519642_1727693270833004_2133266622_n.jpg)
![L40 on a Technocrane - Behind the scenes of Fox hit series Empire](/uploads/images/uploads/2019/08/12940724_119625048435930_895996057_n.jpg)
![Harrison Ford and Mo-Sys Lambda on crane](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-19-at-16.03.26.png)
![Harrison Ford and Mo-Sys Lambda](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-19-at-16.03.00.png)
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![Motion controlled Mo-Sys Lambda filming scene with Jake Gyllenhaal.](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-19-at-15.56.58.png)
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![Motion controlled Lambda shooting scenes for Enemy starring Jake Gyllenhaal and Jake Gyllenhaal.](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-19-at-16.47.06.png)
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![Director Denis Villeneuve recording motion with Mo-Sys Lambda, using hand wheels.](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-19-at-15.57.46.png)
![Shooting scene with Mo-Sys Lambda for air travel thriller Flight Plan starring Jodie Foster](/uploads/images/uploads/2019/08/14.jpg)
![The Mo-Sys G50 on a GF Crane shooting scene on El Mirage Lake in California.](/uploads/images/uploads/2019/08/IMG_7935.jpeg)
![Couple in a virtual surrounding with on-set realtime visualisation in Genie.](/uploads/images/uploads/2019/08/w4.jpg)
![Nelly, Nicki Minaj and Pharrell performing Get Like Me shot with Mo-Sys Lambda with Roll axis.](/uploads/images/uploads/2019/08/Screen-Shot-2015-03-19-at-19.07c.png)
![Mo-Sys Lambda with Roll axis filming Nicki Minaj for Nelly's "Get Like Me".](/uploads/images/uploads/2019/08/Screen-Shot-2015-03-19-at-19.05c.png)
![The G50 on a GF8 shooting scene for "Goong Hap".](/uploads/images/uploads/2019/08/temp_1458603473027.-1980390497.jpeg)
![Key grip Hoon Jung prepping shot with G50 for Korean romantic comedy "Goong Hap".](/uploads/images/uploads/2019/08/temp_1458603424179.-1533379317w.jpeg)
![Mo-Sys G50 on GF8 shooting scene for "Goong Hap" - a romantic comedy set in historical Korea.](/uploads/images/uploads/2019/08/temp_1458603126575.1945142767.jpeg)
![Gyro-stabilized G50 filming scene from a boat for Korean movie "Goong Hap", English title "Marital Harmony", in Namyangju.](/uploads/images/uploads/2019/08/temp_1458603156351.497843278w.jpeg)
![Mo-Sys G50 shooting scene for South Korean romantic comedy "Goong Hap", filmed in Namyangju and set in historical Korea.](/uploads/images/uploads/2019/08/temp_1458602835539.-653759235w.jpeg)
![Key grip Hoon Jung used the G50 on a GF8 throughout the production of "Goong Hap".](/uploads/images/uploads/2019/08/temp_1458603623777.497400500.jpeg)
![Prepping G50 for shooting scene for Korean movie "Goong Hap", a romantic tale set in historical Korea.](/uploads/images/uploads/2019/08/temp_1458603401972.342011804.jpeg)
![G50 on a GF8 crane filming birds view scene for South Korean movie "Goong Hap".](/uploads/images/uploads/2019/08/temp_1458603234115.1777938943.jpeg)
![](/uploads/images/uploads/banners/Gravitymovielogo_gcR05mf.webp)
![George Clooney with modified Mo-Sys Lambda](/uploads/images/uploads/2019/08/vlcsnap-2014-03-04-15h00m30s100.png)
![](/uploads/images/uploads/banners/Gravitymovielogo_gcR05mf.webp)
![Sandra Bullock in zero gravity](/uploads/images/uploads/2019/08/vlcsnap-2014-03-04-15h02m38s87.png)
![](/uploads/images/uploads/banners/Gravitymovielogo_gcR05mf.webp)
![Simulating space in Lightbox. Filming Sandra Bullock with modified Lambda head.](/uploads/images/uploads/2019/08/vlcsnap-2014-03-04-13h02m57s219.png)
![](/uploads/images/uploads/banners/Gravitymovielogo_gcR05mf.webp)
![Sandra Bullock and the modified Lambda, inside the 'Lightbox'.](/uploads/images/uploads/2019/08/vlcsnap-2014-03-04-13h12m10s95.png)
![](/uploads/images/uploads/banners/Gravitymovielogo_gcR05mf.webp)
![Technicians preparing shoot with Mo-Sys head attached to Bot'n'Dolly robot.](/uploads/images/uploads/2019/08/vlcsnap-2014-03-04-13h10m21s252.png)
![](/uploads/images/uploads/banners/Gravitymovielogo_gcR05mf.webp)
![Filming 'out in space'.](/uploads/images/uploads/2019/08/vlcsnap-2014-03-04-14h25m33s84.png)
![](/uploads/images/uploads/banners/Gravitymovielogo_gcR05mf.webp)
![Modified Mo-Sys Lambda shooting Sandra Bullock escaping fire inferno.](/uploads/images/uploads/2019/08/vlcsnap-2014-03-04-14h37m24s36.png)
![](/uploads/images/uploads/banners/Gravitymovielogo_gcR05mf.webp)
![Sandra Bullock floating through space station.](/uploads/images/uploads/2019/08/vlcsnap-2014-03-04-14h42m50s217.png)
![](/uploads/images/uploads/banners/Gravitymovielogo_gcR05mf.webp)
![Alfonso Cuarón directing Sandra Bullock and George Clooney.](/uploads/images/uploads/2019/08/vlcsnap-2014-03-04-14h56m18s121.png)
![](/uploads/images/uploads/banners/Gravitymovielogo_gcR05mf.webp)
![Sandra Bullock and George Clooney trying to fix their space station.](/uploads/images/uploads/2019/08/vlcsnap-2014-03-04-15h03m28s78.png)
![Shooting scenes on Hawaii for CBS hit series Hawaii Five-0 with Mo-Sys L40, operated with hand wheels.](/uploads/images/uploads/2019/08/Hawaii-Five-0-2.jpeg)
![Mo-Sys L40 on set in Hawaii](/uploads/images/uploads/2019/08/Hawaii-Five-0-1w.jpeg)
![Shooting helicopter scene with L40 remote head on location in Hawaii.](/uploads/images/uploads/2019/08/Hawaii-Five-0-3w.jpeg)
![](/uploads/images/uploads/productions/titles/immortals-logo.png)
![Mo-Sys Lambda on set of Immortals giving tracking data to Genie.](/uploads/images/uploads/2019/08/Lambda-on-Supertechno-30-against-Green-Screen.jpg)
![](/uploads/images/uploads/productions/titles/immortals-logo.png)
![Director Tarsem Singh with monitor with Genie on-set previews in the background.](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-20-at-18.29.01.png)
![](/uploads/images/uploads/productions/titles/immortals-logo.png)
![Sound stage in Montreal](/uploads/images/uploads/2019/08/03.jpg)
![](/uploads/images/uploads/productions/titles/immortals-logo.png)
![Henry Cavill rehearsing scene. Genie gives realtime on-set previs with CG elements.](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-20-at-18.28.20.png)
![](/uploads/images/uploads/productions/titles/inside-llewelyn-davis.png)
![Mo-Sys Lambda on jib shooting scene with John Goodman and Oscar Isaac with directors Joel and Ethan Coen](/uploads/images/uploads/gallery/John-Goodman-Oscar-Isaac-and-the-Coen-brothers-on-set-of-_KzurYCO.jpg)
![](/uploads/images/uploads/productions/titles/inside-llewelyn-davis.png)
![Shooting scene in New York with Mo-Sys Lambda](/uploads/images/uploads/gallery/inside-llewyn-davis-1072x700.jpg)
![](/uploads/images/uploads/productions/titles/inside-llewelyn-davis.png)
![Oscar Isaac as Llewyn Davis shooting scene with Mo-Sys Lambda on jib.](/uploads/images/uploads/gallery/Screen-Shot-2015-08-19-at-16.05.52-1072x700.png)
![Shooting commercial for upcoming computer game](/uploads/images/uploads/2019/08/11950627_1502825063343553_1318807210_n.jpg)
![Mo-Sys G50 filming scene for computer game commercial.](/uploads/images/uploads/2019/08/IMG_7106.jpeg)
![Mo-Sys L40 (property of Monster Remotes) shooting scene in a flight hangar.](/uploads/images/uploads/2019/08/image1-1.jpeg)
![Filming field workers for the feature nature documentary Les Saisons.](/uploads/images/uploads/2019/08/en-juillet-2014-l-equipe-du-film-a-tourne-plusieurs-scenes.jpg)
![Filming wild Lynx in the forest](/uploads/images/uploads/2019/08/galatee-7759-1300x730.jpg)
![Mo-SYs Lambda sneaking up on a wild cat](/uploads/images/uploads/2019/08/Galatee-Films-Ludovic-Sigaud.jpg)
![](/uploads/images/uploads/banners/life-of-pi_Gwa1aDk.png)
![Tiger "Richard Parker" being filmed with Mo-Sys Lambda remote head](/uploads/images/uploads/2019/08/20140728232927-iaukw.jpg)
![Music video shoot for Linkin Park's "Castle of Glass"](/uploads/images/uploads/2019/08/Screen-Shot-2015-03-19-at-19.18.08.png)
![Mo-Sys Lambda with handwheels helps creating complicated shot with actor Paul Dano on a bed.](/uploads/images/uploads/2019/08/Screen-Shot-2016-02-17-at-18.39.32.png)
![Director Bill Pohland on set of Love & Mercy with Mo-Sys Lambda shooting actor Paul Dano lying on a bed.](/uploads/images/uploads/2019/08/Screen-Shot-2016-02-17-at-18.39.18.png)
![Mo-Sys Lambda on a crane shooting scene for Beach Boy's Brian Wilson's biopic.](/uploads/images/uploads/2019/08/Screen-Shot-2016-02-17-at-18.39.24.png)
![Raindog Films logo](/uploads/images/uploads/broadcasters/raindog.png)
![Lambda remote head on a crane shooting a scene with Joel Edgerton for Loving, the 2017 Oscar contender for Best Motion Picture.](/uploads/images/uploads/2019/08/Loving2.png)
![An overslung G50 shooting inside a mock-up plane.](/uploads/images/uploads/2019/08/IMG_8549w_0.jpeg)
![Motion controlled Mo-Sys Lambda on Dolly in front of Kölner Dom.](/uploads/images/uploads/2019/08/1551572_604013643003421_220315893_n.jpg)
![Mo-Sys G50 on a Technocrane filming period piece in the Scottish highlands.](/uploads/images/uploads/2019/08/Screen-Shot-2015-10-28-at-17.09.14-copy.png)
![Shooting a period drama in Scotland](/uploads/images/uploads/2019/08/IMG_0199.jpeg)
![On location in Scotland](/uploads/images/uploads/2019/08/IMG_0209-1.jpeg)
![Mo-Sys L40 at curling event in Canada. Used with broadcast console.](/uploads/images/uploads/2019/08/Curling_2crops.jpg)
![Mo-Sys L40](/uploads/images/uploads/2019/08/CTdyNbhVEAEW4gR.jpg-large.jpeg)
![Mo-Sys Lambda shooting scene in Casino for upcoming Hollywood comedy.](/uploads/images/uploads/2019/08/lvphotob.jpg)
![](/uploads/images/uploads/banners/non-stop_logo.png)
![Non-Stop DoP Flavio Martínez Labiano with the Mo-Sys Lambda.](/uploads/images/uploads/2019/08/non-stopw-1.jpg)
![](/uploads/images/uploads/banners/non-stop_logo.png)
![Liam Neeson shoots at Mo-Sys Lambda. Mo-Sys Lambda shoots Liam Neeson.](/uploads/images/uploads/2019/08/Screen-Shot-2015-02-26-at-12.14.42.png)
![Busy pool scene with Mo-Sys Lambda](/uploads/images/uploads/2019/08/IMG_8604w.jpg)
![Mo-Sys Lambda filming scene at pool](/uploads/images/uploads/2019/08/IMG_7802.jpg)
![GyroTracker on 100x lens in Spielberg, Austria for the Red Bull Air Race](/uploads/images/uploads/2019/08/IMG_6246.jpeg)
![GyroTracker on 100x lens on swaying cherry picker 80m above the Danube for Red Bull Air Race in Budapest.](/uploads/images/uploads/2019/08/w16.jpg)
![Tracking kit on V70 head with interface to box lens for zoom and focus data.](/uploads/images/uploads/2019/08/w24.jpg)
![Mo-Sys L40 TV in Ascot](/uploads/images/uploads/2019/08/ascot.jpg)
![Mo-Sys L40 on pontoon in Budapest for the Red Bull Air Race.](/uploads/images/uploads/2019/08/w19.jpg)
![Mo-Sys L40 in front of Hungarian Parliament building in Budapest.](/uploads/images/uploads/2019/08/w18.jpg)
![V70 tracking kit on top of Tokio hotel, providing tracking for Red Bull Air Race.](/uploads/images/uploads/2019/08/w13.jpg)
![The Mo-Sys L40 on a Red Bull video wall overlooking Rovinj (Croatia).](/uploads/images/uploads/2019/08/w15c.jpg)
![GyroTracker mounted to 100x box lens on a cherry picker 70 metres above Abu Dhabi bay.](/uploads/images/uploads/2019/08/w26.jpg)
![Camera with 100x lens and GyroTracker on a cherry picker overlooking Abu Dhabi bay.](/uploads/images/uploads/2019/08/w27.jpg)
![Mo-Sys L40 TV doing tracking shots for Red Bull Air Race on the beach of Abu Dhabi.](/uploads/images/uploads/2019/08/w25.jpg)
![The L40TV filming the Red Bull Air Race in Abu Dhabi](/uploads/images/uploads/2019/08/IMG_8348.jpg)
![The GyroTracker on a cherry picker, 20m above the beach in Abu Dhabi, tracking broadcast camera for Red Bull Air Race.](/uploads/images/uploads/2019/08/IMG_8209.jpg)
![Gyrotracker calibration on ground](/uploads/images/uploads/2019/08/IMG_8303.jpg)
![L40-TV](/uploads/images/uploads/2019/08/IMG_8272.jpg)
![Mo-Sys Lambda as part of virtual studio featured in RoboCop with Samuel L. Jackson as presenter.](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-19-at-16.02.23.png)
![Mo-Sys Lambda as part of virtual studio set up in a scene in RoboCop with Samuel L. Jackson as presenter.](/uploads/images/uploads/2019/08/tm0050090_before_v001_2kaxp_vdf8.1001.jpg)
![G50 mounted to a crane on a boat](/uploads/images/uploads/2019/08/IMG_1090.jpeg)
![Mo-Sys Lambda on a MovieTech crane filming in Siberia](/uploads/images/uploads/2019/08/crane-vertiga.jpeg)
![Filming wolves in Siberia](/uploads/images/uploads/2019/08/crane-voulka-1.jpeg)
![Mo-Sys Lambda on Movie Tech crane filming scene in Siberia](/uploads/images/uploads/2019/08/crane-vertigo.jpeg)
![Mo-Sys Lambda on Movie Tech crane filming a herd of reindeers in the Siberian Tundra](/uploads/images/uploads/2019/08/crane-sergueï2.jpg)
![Shooting commercial for smart in the streets of New York with a Mo-Sys Lambda attached to a Moviebird 45.](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-20-at-12.40.02.png)
![Shooting commercial for smart with Mo-Sys Lambda on a Moviebird 45.](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-20-at-12.39.18.png)
![Mo-Sys Lambda filming scene with Jake Gyllenhaal in time machine.](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-19-at-16.09.25.png)
![Shooting title sequence for 'Spectre'](/uploads/images/uploads/2019/08/IMG_0246-Copy-2w.jpeg)
![Shooting 'Spectre' title sequence. Mo-Sys G50 controlled with touchscreen console.](/uploads/images/uploads/2019/08/IMG_0247-Copy-2w.jpeg)
![Mo-Sys G50 on the end of a Technocrane shooting the title sequence for the latest Bond movie 'Spectre'.](/uploads/images/uploads/2019/08/IMG_0249w_0.jpeg)
![The Lambda shooting an action scene with Ben Affleck for The Accountant.](/uploads/images/uploads/2019/08/The_Accountant.png)
![](/uploads/images/uploads/productions/titles/djustment-bureau.png)
![Matt Damon on set with Mo-Sys Lambda.](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-19-at-16.08.30.png)
![](/uploads/images/uploads/productions/titles/djustment-bureau.png)
![Matt Damon and the Mo-Sys Lambda](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-19-at-16.08.07.png)
![Mo-Sys Lambda shooting a scene starring Jennifer Lopez and Ryan Guzman.](/uploads/images/uploads/2019/08/Screen-Shot-2015-02-26-at-11.58.42.png)
![Mo-Sys Lambda filming scene for The Boy Next Door with Jennifer Lopez.](/uploads/images/uploads/2019/08/Screen-Shot-2015-02-26-at-11.56.44.png)
![](/uploads/images/uploads/banners/the-purge.png)
![NBC logo](/uploads/images/uploads/broadcasters/NBC-white.png)
![The Mo-Sys L40 used by Joseph Arena for the action sequences in The Purge](/uploads/images/uploads/2019/08/The-purge-set-2.png)
![](/uploads/images/uploads/banners/twd.png)
![AMC logo](/uploads/images/uploads/broadcasters/amc-logo-black-and-white.png)
![Shooting a scene for AMC hit series The Walking Dead with main actor Andrew Lincoln.](/uploads/images/uploads/2019/08/14545220w.jpg)
![Mo-Sys G50 controlled via touchscreen console filming scene with Russell Crowe on a horse.](/uploads/images/uploads/2019/08/150210-Nico-4w.jpg)
![Director Michael Bay with the Mo-Sys Lambda remote head loaded with a heavy 3D rig](/uploads/images/uploads/2019/08/transformers_bald-guy-called-moose.jpg)
![](/uploads/images/uploads/banners/175-1759424_tron-legacy-logo-png.png)
![Mo-Sys Lambda on Graphlite motion control crane filming Tron: Legacy](/uploads/images/uploads/2019/08/Gantry_5.jpg)
![](/uploads/images/uploads/banners/175-1759424_tron-legacy-logo-png.png)
![Shooting scene for Tron: Legacy with Mo-Sys Lambda.](/uploads/images/uploads/2019/08/Screen-Shot-2015-08-19-at-16.00.24.png)
![](/uploads/images/uploads/banners/175-1759424_tron-legacy-logo-png.png)
![Mo-Sys Lambda on Graphlite motion control crane filming Tron: Legacy](/uploads/images/uploads/2019/08/Gantry_4.jpg)
![AMC logo](/uploads/images/uploads/broadcasters/amc-logo-black-and-white.png)
![Shooting a scene on a graveyard with an earlier version of the G50, supplied by Gearhead, in sub-freezing temperatures for AMC's revolution drama "Turn".](/uploads/images/uploads/2019/08/148609_512606285521234_317847866_n.jpg)
![AMC logo](/uploads/images/uploads/broadcasters/amc-logo-black-and-white.png)
![Prepping for a shoot for AMC's Turn with an early version of the G50 rigged to a car, supplied by Max Fischer from Gearhead.](/uploads/images/uploads/2019/08/720A0020-1024x671.jpg)
![Mo-Sys G50 on crane arm filming cyclists](/uploads/images/uploads/2019/08/ventoux1.jpg)
![Mo-Sys G50 on crane arm preparing for shoot on Belgian cycling route Ventoux.](/uploads/images/uploads/2019/08/ventoux2.jpg)
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