The (augmented reality) elephant in the ballroom

TVBEurope gets an exclusive insight into how the Strictly Come Dancing graphics, lighting and audio teams have introduced augmented reality in this year’s series.


It may be 16 years old, but this year’s Strictly Come Dancing has been as popular as ever. Viewers have taken to social media to express their joy at the show that’s brought sparkle back to our screens, and helped lift everyone’s spirits.

It’s not been easy to bring the ballroom back in the year of the pandemic, and the production team deserve all the plaudits they’ve received for their hard work to get the show on air. But rather than sit on their laurels, Strictly’s production team have been particularly innovative by bringing augmented reality into the mix. From the racing cars in week one, to the elephant that appeared during Bill Bailey’s Quickstep, augmented reality has featured every week during the live shows.

The use of AR has been a real team effort, involving both the lighting and audio teams, as well as companies, Mo-Sys and Potion Pictures. While this year is the first time AR has been employed in the show, it’s something the team has been considering for a while…

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New UK virtual reality studio opening using Mo-Sys StarTracker

ARRI Rental UK announced recently the imminent opening of a new mixed reality and virtual production studio that will soon be made available for creative, commercial, educational, and test projects.

With a huge 30-meter wide LED wall from Creative Technology UK, as well as the real-time camera tracking solution, StarTracker, from Mo-Sys, this studio is looking to be an exciting new resource for UK filmmaker.

Mo-Sys Transforms Radio Studio into Virtual Production Studio

StarTracker Studio delivers in time for US election coverage

Mo-Sys Engineering collaborated with talkRADIO, the UK’s leading commercial radio news service, to create a turnkey virtual production environment which was first used for coverage of the US presidential election.

talkRADIO, part of Wireless Group, a division of News UK, live streams twenty hours of its output every day, for those listeners using devices with screens. With the US election approaching, talkRADIO was looking for new ways to engage audiences and satisfy advertisers. Going beyond simply putting cameras into radio studios, it wanted to create a rich virtual environment.

With just four weeks to election night, talkRADIO turned to Mo-Sys Engineering, which had recently launched its all-in-one pre-configured virtual production system, StarTracker Studio.

Providing camera tracking for multiple cameras, switching, keying, Unreal Engine photo-realistic graphics, compositing, and recording, StarTracker Studio is designed for multi-camera live to air and shot-by-shot VFX virtual production workflows, supporting both green screen and LED wall studios.

“We wanted our small studio space to look big, to look luxurious,” said Nick Prater, Head of Broadcast Technology for Wireless Group. “Mo-Sys could provide the complete solution, and they understood that we wanted it to look real. Getting the textures and the lighting right in the virtual studio took time, but the Mo-Sys designers understood what we wanted and delivered it.”

In any election broadcast, even without the complications of Covid-19, there is a need for flexibility as the guest list changes, and contributions come in online – usually Zoom – as well as in person. Using a combination of Panasonic PTZ cameras with StarTracker PTZ tracking systems, enabled the cameras to be moved dynamically within the virtual studio, simplifying studio set up and allowing complete creative freedom.

“talkRADIO has a strong, loyal audience and excellent broadcasters,” said Michael Geissler, CEO of Mo-Sys. “What we achieved with this project was to bring them closer together in a new way, to improve the broadcasters’ engagement with the audience. This is absolutely unique, a completely new way of visualising radio.”

talkRADIO’s Nick Prater added “After the broadcast I spoke to a television executive who said of our coverage ‘that looks really good – as good as television’. For a small radio team, supported by Mo-Sys and with just four weeks to put it all together, I think we achieved something remarkable. This is a sensational achievement that delivers for our audience and pushes the boundaries of radio visualisation.”

The next outing for the talkRADIO’s virtual production environment will mark the end of the December Covid-19 lockdown in the UK, bringing reports from all around the country into the studio.